Dr. Lisa Funnell

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By Dr. Lisa Funnell For decades, disability activism has existed at the margins of broader social justice movements. Even within institutions, accessibility is frequently siloed — treated as an add-on rather than a core pillar of equity, diversity, and inclusion (EDI) initiatives. This separation has shaped not only our social and political landscapes, but also our cultural ones. Nowhere is this more visible than in popular film. Blockbuster cinema plays a powerful… Read More

Co-written with Klaus Dodds Water is a critical resource to the sustainment of human, plant, and animal life. While water is plentiful on earth, only 3 percent of it is freshwater and more than half is inaccessible as it is frozen in glaciers. Moreover, freshwater is not equally distributed on earth and six countries account for more than half of the world’s fresh water supply: Brazil, Russia, Canada, Indonesia, China, and Columbia… Read More

As a character, James Bond is not only defined by his actions (i.e. what he does), but also by his social privilege (i.e. who he is) as relayed through his encounters with other characters and especially women. The heroic identity of Bond is rooted in the British lover literary tradition (Hawkins 29-30) which relies on the ‘lover’ stereotype of masculinity and is conveyed through virility. As a result, seducing and sexually satisfying… Read More

Co-written with Klaus Dodds In The World is Not Enough, Bond states that, “Construction isn’t exactly my specialty” to which M replies “Quite the opposite, in fact.” This exchange draws attention to the fact that Bond is a destructive hero who is not only armed with a “license to kill” but also with a “license to destroy.” Bond makes claims on a range of spaces and his ruination of physical property plays… Read More

Co-written with Klaus Dodds Bond is a global traveler and sent on missions throughout the world. Airplanes offer the most expedient form of transportation to and from these places. Bond can be seen boarding planes (The Living Daylights), traveling in flight (Goldfinger, 1964), and exiting airports (Dr No, 1962). Bond has fought henchpeople on the runway (Casino Royale, 2006) and in the air (Spectre, 2016), and has been debriefed by allies on… Read More

Check out my new blog on “The Bond Girl (2006-2016).” It explores the reworking of the Bond Girl concept across the Daniel Craig era.

Check out my new blog on “The Bond Girl (1962-2002)”

Check out part 2 of my blog on Feminism and Female Villainy – The 1970s and 1980s!
#JamesBond #feminism #villainy #Dr007

The James Bond films are populated with women who help to shape and confirm the libidinal masculinity of the title character. However, when we simply group all women together under the umbrella term “Bond Girl,” we invariably overlook the range and diversity of female characterization as well as changes in female representation over time. There is a difference between a primary character and a secondary figure (who may or may not be… Read More

Last week in my Gender and James Bond course, we discussed the deeply troubling scene at the beginning of Thunderball (1965) in which Bond sexually harasses and coerces a nurse at the health clinic Shrublands. On multiple occasions, Patricia Fearing rejects the physical and verbal advances of Bond making it clear that she is not interested in sexual activity. Bond does not accept her rejections or respect her bodily autonomy, and eventually… Read More